Released by DVDisc.co.uk, 6th February 2006
2 disc DVD. Video format: 16:9 anamorphic widescreen.
Audio formats: Dolby Digital 2.0, 5.1 and dts Surround Sound
Languages: English, German, French, Italian, Dutch, Spanish
Some of you will be wondering
what on earth a "definitive" version of the Pink Floyd and Syd Barrett
Story might entail. Some of you will already own a past edition of the
release. We've taken a thorough look at the 2-DVD set for you, and
here's our thoughts...
The first thing that strikes you
is the menu - a real thing of beauty. For those who've seen the
previous release of this documentary (2004; through Voiceprint),
consider the multicoloured inlay, which is peppered with memorabilia,
cuttings, and more, from the Syd Barrett era Floyd.
Now picture that, taking up a
huge amount of space, so much so that as you make each selection, you
slowly scroll around the whole picture until you reach the particular
bit you are after (eg chapter selection, extras, etc.). Very nicely
done!
Disc
one is devoted to the BBC documentary, originally broadcast in 2001.
Most of you will be familiar with this, so we won't retread old ground.
Suffice it to say, it is a fascinating, and well crafted, look at the
history of the band with a particular focus on the very early days of
the band.
Interviews with all significant
parties are included; not just the usual suspects, but people such as
Bob Klose, who left the band shortly before their rise to fame. Such is
the love still felt for Syd, it is an affectionate, touching and very
honest tribute to the man.
Sound and picture quality are, to
our eyes and ears, pristine; an anamorphic, widescreen picture, and
choice of soundtracks, including Dolby Digital 5.1 and DTS. No
complaints there. The navigation is also easy to use - no fancy tricks
that tend to frustrate or confuse.
What
many will be interested in are the extra features on this new,
"definitive" edition. To date, there have been three releases of the
documentary. The original, fairly bare bones edition, released in
Europe and the US. This included a short, ten minute interview with
Roger amongst the few extras.
At the same time, a (little
known) Australian edition came out with a different cover, and a 55
minute, chiefly unedited interview with Roger (more on that shortly).
Finally, last year (2004) Voiceprint brought out a new edition which
included a new cover and slightly upgraded quality.
This new edition is a definite improvement on all of these.
Filling out the remainder of disc
one is that same interview with Roger that was on the Australian
edition, but in dramatically better quality. The Oz version has the
footage in very poor quality - grainy, noisy, and with obvious tape
defects. This new version is perfect.
The
interview finds Roger, sitting in a studio, refreshingly honest, and at
times, forgetful - which comes as a surprise. It provides a fascinating
trawl through Roger's memories, looking at his earliest interactions
with Syd, through the many experiences and problems, up to the final
time he saw Syd.
The questioning elicits some good
responses from Roger, with some unusual lines of attack. He even
responds in the positive to a searching question basically positing
that his empathy with Syd and his decline had elements of "there but
for the grace of God, go I". He relates a situation at Abbey Road
Studios where he experienced a shocking, almost out-of-body episode,
which he equated to a nervous breakdown. At the time he thought he was
"going crazy", and it seemed to give him fresh insight into Syd's
condition.
Turning to the second disc, here
we find the rest of the interviews - with David (lasting 36 minutes),
Nick (28 minutes), Richard (26 minutes) and Robyn Hitchcock (20
minutes) - alongside other items which include a timeline, discography
and a quiz.
An edit of David's interview
appears on the Oz version - here, you get the full thing, in much
better quality again. David looks at how he got to know the band, and
the whole process of joining them. A lengthy sequence looks at Wish You
Were Here, including David working out the main guitar sequence for the
song.
Certainly, this interview is pitched more towards the music, and
technical details surrounding it, and also focuses on David's feelings,
views, and ways of working. There's even a look at his guitars,
including the one that started it all - a Spanish acoustic he got at
age 14.
Nick's interview looks at the
band's history, with particular focus on the early days, and the
nature, or "sound", of the songs themselves. Typically honest, and at
times looking quite inscrutable, his dry humour shines through. The
interviewer (director John Edgington) even treads on what must be
painful ground, looking at the band's attitude to Syd whilst he was
falling apart, and how they handled the situation.
Any interview with Richard is a
rarity indeed, and the one presented here lasts a healthy 26 minutes.
It's fascinating to hear Richard's recollections, and he gives a
particularly amusing anecdote involving a stoned audience, and a
backstage argument between the band members! He decries the notion of
the band taking a lot of drugs, particularly before hitting the stage
(illustrating this with an example from the early days), and also
shares his view that Syd's downfall occurred as a result of one "lost
weekend" on acid, rather than attributing it to a gradual buildup.
Robyn
Hitchcock fans get almost 20 minutes of him playing Syd songs in a back
garden, whilst talking about his feelings towards Syd. Graham Coxon of
Blur gives a rendition of Love You, which is certainly an improvement
on his rather silly comments about Bike that appear in the documentary.
To fill any remaining space on
the second disc, you get a timeline. This is a silent, fairly static
exhibit, but it gives a taste of some of the band's activities in the
early days. You also get a discography, which again is silent, and
covers just the Barrett-related releases.
There's a biography which
consists of small text screens - the font size used could render it
tricky to read on some screens, especially with the coloured
background. It also moves rather quickly for these eyes to keep up
with...
Finally, there is an interactive
quiz. An interesting selection of questions to test your knowledge of
the early days of the band, and like the other extras mentioned, is
silent. Get all the questions right, and you get an extended version of
the Abbey Road walkabout found on a previous release - this time, you
actually get to see a control room and studio properly, rather than
just randomly amble round the corridors of the famous facility.
So,
a two disc set that is chock full of good stuff. Some of the extras on
the second disc won't get too many plays, one would imagine, but the
interviews (the real meat of the additional content) are fascinating
and essential viewing.
And for those who've not seen the
documentary itself, you are in for a real feast of Floyd. Top marks,
DVDisc - a nice job, and a worthy update in our opinion.
The title is
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