David Gilmour, Richard Wright and
Nick Mason reunited as Pink Floyd for the launch of the Pulse DVD at
the Vue cinema in London’s Leicester Square last night (Tuesday July
3rd). The event was attended by executives from EMI, music journalists
(including your very own Brain Damage!) and Floyd luminaries including
Phil Manzanera, Dick Parry, and Guy Pratt, alongside Storm Thorgerson
and Peter Curzon, who were responsible for the packaging and DVD design.
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Richard Wright, David Gilmour, Nick Mason |
A unique edit of Pulse,
comprising Shine On You Crazy Diamond, Learning To Fly, High Hopes and
the entire Dark Side of the Moon was digitally projected with a
stunning Dolby 5.1 sound mix, very loud and crystal clear. Shine On You
Crazy Diamond appeared markedly different from the version we’re used
to seeing, with the long instrumental introduction augmented by
previously unseen backstage clips of the band.
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Tony Wadsworth (EMI), Wright, Gilmour, Alain Levy (EMI), Mason |
To kick things off, as the band
members arrived at the venue, a large pair of eyeballs was signed,
along with three massive representations of the DVD artwork. These will
be auctioned off for charity, along with a red Strat, again signed by
the three.
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Items to be auctioned off for charity |
Following the screening the band
took to the stage to answer questions from BBC Radio 2’s Stuart
Maconie. Very relaxed, the band made plenty of jokes about themselves
and the subjects under discussion.
Richard kicked things off by
explaining what a joy it was to see Pulse, as he’d never had the
opportunity to see their show himself. The new DVD gave him a chance to
see and hear the show in great quality. David also mentioned that it is
“fantastic to watch it like this, as it’s a privilege we just never
ever get – it’s extraordinary the amount of stuff that’s happening
behind us…”
During the screening, Gilmour had
been spotted singing along with the music and even seemed to be
conducting it at one point during Us and Them. ‘It’s in the blood, I
can’t help it,’ he explained. He then revealed that he’d recently been
to see the Eagles in concert and had sung along to all their songs too.
All three claimed that it was strange seeing themselves in performance,
amid jokes about the lengths of Guy and Jon Carin’s hair in 1994.
Richard himself complained of having a bad hair day the day of the
filming!
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Post-screening Q&A (Stuart Maconie, right) |
Inevitably, the discussion turned to Live8.
Gilmour: “Well, the performance
was great and we had a wonderful time. One can only hope that it did
some good; the jury’s still out I think, but I’m sure it was better to
have done it than to have not done it.”
“I think it achieved certain
elements of what was required,” Mason added, “and I think, as far as
I’m concerned, the most useful thing was that I think it moved the
dialogue on from this idea that rock concerts, or charity rock
concerts, are there in order simply to send food parcels.
“I think a lot of people after
that at least started asking questions about the politics of world
trade and I think that’s enormously worthwhile and I also think, you
know, we haven’t finished. I think Bob Geldof is particularly exercised
at the moment about ensuring that promises or undertakings that were
made, if haven’t been met - then, well, a fuss should be made. I expect
we’ll have to turn out in Hyde Park again in a few months time if they
don’t do something.”
The subsequent audience Q&A
brought inevitable enquiries about future Pink Floyd performances.
Mason and especially Wright seemed amenable to play further shows as
part of Pink Floyd (“being on stage is just… wonderful”). Indeed on
being asked if they’d want to do the reunion again, Richard responded
with a most definite “YES!” and later stated he’d be “happy on stage
anywhere”.
“Well, you know, we’ve all been
out,” Gilmour expanded, “All four of the old group - the classic line
up if you want to call it that - have been out plying our trade this
year and so we all are doing exactly that and it’s been enormously
great fun for myself, and for Richard. How about you Nick? You’ve done
it a little bit more recently!”
Mason: “Just looking at it again,
it does remind you that it is great fun – I don’t think there is a
better job in the world, really….”
On the foreseeable future, David remarked that “my plan is to just meander on in my own particular way for the time being.”
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Wright at post-screening Q&A |
Inevitably, the discussion turned to Live8.
Rick Wright followed by saying,
“And I guess my plan is to meander along. AND whenever Dave wants me to
play with him, I’m really happy to play with him. And [to Gilmour]
you’ll play with me right?”
Gilmour: “Of course!” followed by Mason (to much laughter and applause) “Of course, I’m available to everyone.”
Gilmour did not rule out further
archive releases, citing the 1989 Venice concert in particular, but
claimed that there was nothing in the works. He responded to a query
about the Wall shows at Earls Court by stating that the footage was now
“100% under Roger Waters control”, and that the quality was still not
quite good enough for release.
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Gilmour and Mason at post-screening Q&A |
There was a light-hearted
question about Scissor Sisters’ version of Comfortably Numb, which
Gilmour happily described as “jolly entertaining”. He said that he was
happy for other people to cover Pink Floyd songs, and Mason added that
innovative covers were preferable to tribute bands, “copying every
mistake we’ve ever made, perfectly”. Wright highlighted the reggae
album Dub Side of the Moon, and Mason claimed that Luther Wright and
the Wrongs’ country and western version of The Wall was a particular
favourite of his.
The final question was about the
old Dark Side of the Moon/Wizard of Oz theory, which was met with mock
exasperation by Mason. He closed the Q&A session by suggesting that
if anyone had the time and inclination they might want to listen to The
Wall while watching The Dam Busters, as apparently that doesn’t work
either!
Report by Marcus Hearn and Matt Johns. All pictures © Matt Johns/Brain Damage. Our thanks to PFM, LD and EMI for their help.
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