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Egilsholl Arena, Reykjavik |
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Ticket scan thanks to Bjorn Gudmundsson |
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Roger on Icelandic TV, June 11th |
capacity: 18,000
Concert starts: 8pm
Address of venue: Egilshöllin, Fossaleyni 1, 112 Reykjavík, Iceland. MAP
Website: egilshollin.is
Roger was briefly interviewed
upon arrival on June 11th. The interview was aired in the evening news
on Icelandic TV (screen shot to the right), and can also be seen on the
website of the Icelandic Broadcasting Corporation. The interview isn't
long, but Roger promises a great show for the fans, and mentions that
Nick Mason would be joining him on Dark Side Of The Moon. He then says
he has to rush off to do some fishing!
To view the interview, go to: dagskra.ruv.is/streaming/news/?date-from=2006-06-11.
You see a list of the day's newsprograms. Click on the one marked
"19:00". Here you see a list of this program's news items; fifth from
bottom you see the one with "Roger Waters" in the heading.
Our thanks to BjornG and Olafur Teitur Gudnason for this information.
SET LIST
FIRST HALF: In
The Flesh, Mother, Set The Controls For the Heart Of The Sun, Shine On
You Crazy Diamond, Have A Cigar, Wish You Were Here, Southampton Dock,
The Fletcher Memorial Home, Perfect Sense parts 1 and 2, Leaving
Beirut, Sheep.
SECOND HALF: Dark Side of the Moon. ENCORE: The Happiest Days Of Our Lives, Another Brick In The Wall (Pt 2), Vera, Bring the Boys back Home, Comfortably Numb. |
COMMENTS
The first indoor show of the
tour, and with good reason - with almost 24 hours of daylight the
lightshow would have been ruined! This show also marked the first
appearance on the tour of Nick Mason, playing drums on Dark Side Of The
Moon. As Graham Broad revealed to us in Berlin, Nick played a seperate
drum kit to Graham, each complimenting the other's drumming throughout
the second half.
Tomorrow night, the tour reaches the Norwegian Wood festival in Oslo. If you are going, have a great time!
SHOW REVIEW
By a good friend of Brain Damage
I
was apprehensive about seeing this show, but loved the excuse to go to
Iceland. I was wondering how Leaving Beirut would sound, as I didn’t
like the demo version that had been released, and was unsure about a
full DSOTM set.
As it turned out, the few days I spent there were great and the gig exceeded my expectations many fold.
The opener of ITF is just right
and introduces Roger stage centre in full almost operatic glory. It’s
certainly a crowd pleaser, but I wonder about the choice of Mother next
– which was done superbly and the addition of Carol as the mother parts
is excellent – the tempo change so early seems odd, especially as it’s
followed by the long jam of STC. Here Ian Ritchie plays perfectly and
outshines any previous sax players on recent tours.
The WYWH section flows nicely but
I’d prefer that HAC wasn’t there as Roger’s voice didn’t suit it
originally and doesn’t now, but the music is very well done, so maybe
on balance I’d like it there but with a different vocalist. The
dropping of Gunners Dream disappointed me as I love that song but the
two remaining Final Cut songs still are a great addition to the setlist
especially Fletcher as the words hauntingly stayed in the air as the
crowd were one of the best and quietest (at the right time) I’ve heard.
Perfect Sense was an outstanding
version and PP Arnold is to me one of the key people on stage. Not only
for this track which is hers, but her influence throughout the show is
very noticeable and no wonder Roger keeps asking her back. PP’s solo
amazed the crowd and even at the very front, the young audience stood
open mouthed until she finished then erupted to the extent that Roger
clapping her anyway, went over and gave her a big hug and encouraged
more well deserved applause. The floating spaceman appeared at the back
of the crowd for this one before vanishing behind a curtain at the
rear. I’m not sure about this gimmick to be honest but it gets lots of
photos taken of it!
The introduction to Leaving
Beirut gives the context of the track and makes it fit in more with the
rest of the show. The splitting of the narration into on screen
animation is inspired and certainly makes the track more listenable,
but the filling out of the music and the girls great gig style backing
make this one of the highlights of the show. From my initial fears I
now love this track – pity it wasn’t released this way in the first
place.
The second half of Dark Side shot
by and the two drummers – Nick made his first appearance on this tour –
certainly added to the piece with each playing subtly different. Nick
was his usual relaxed self whilst Graham always seems to be trying too
hard for the same sound. This is as good a live version as I’ve ever
heard and I didn’t miss Gilmour but think that Jon isn’t quite there as
Rick on Us and Them. Stand outs for me were Time and ACYL but Us and
Them was played a little too fast for me. The screen show is in almost
constant use throughout the piece and the new visuals whilst great
don’t seem to fit in so well with the tempo changes across the album.
At the end of DSOTM there was a
band curtain call with the rest of the band leaving just Roger and Nick
on at the end thanking each other more than once!
Nick returned for the encore of
parts from The Wall with a very powerful Bring The Boys Back Home
although the guys on the lights really messed up the titles words
flashing across the back of the stage. It’s great to see songs played
and flowing into each other as on the albums as most of the Floyds work
doesn’t stand very well live when disjointed tracks are played. Brick
got its standard clap along as did the closer, Comfortably Numb but
they were quite subdued claps from the respectful Icelandic audience.
It was certainly very odd leaving
the gig at midnight into bright sunshine but made for a relaxed almost
surreal departure from the venue.
For me this is the best of Rogers
solo shows that I have ever seen in terms of content as well as
performance. It was also the best audience who were quiet during the
songs and explosive between them – almost like listening to an early
70’s show again.
Our thanks to John for his review, and for his great pictures - one of which is above and to the left. Be sure to visit the Reykjavik concert picture gallery for a selection of our contributor's great shots, exclusive to this site!
SHOW REVIEW
By BD contributor, Jon Einarsson
On a cold and wet summer evening
in Reykjavik magic was set to happen. After arriving to the Egilsholl
an indoor football stadium converted to a concert stage and getting
places up front the excitement was immense. The show was slightly
postponed due to traffic but twenty minutes past eight (After two and a
half hours of Bob Dylan and Neil Young) the lights were dimmed. The
atmosphere was electric with the crowd of 15000, 5% of the Icelandic
nation screaming. The indoor setting was fantastic in respect to the
lighting, no daylight whatsoever.
Everything started out perfectly
with explosive In The Flesh followed by quiet, beautiful Mother. Then
came real action with Set the Controls For the Heart of the Sun
followed by Shine on you Crazy Diamond.
Continuing the show, it was
apparent that Roger was in a fantastic form and the band was amazing.
The sound was loud yet crisp and the lights and explosives were
unbeatable. The floating spaceman came out fantastic, floated around
the arena. No strings needed - we had the roof. It had an eerie
appearance with the backdrop of the iron-clad ceiling.
The highlights of the first half
were countless, Have a Cigar and Sheep possibly stood out but there
were no low points. Leaving Beirut comes out just fantastic at a
concert and was definitely a highlight.
The real huge part of the show
came after the break. Roger took the mic and said "And now I want to
introduce to you and old friend of mine..." and there he was! Nick
Mason had arrived!
DSOTM was fantastic, seeing Nick
beat the drums was just awesome and the performance in whole -
flawless. The band splitted the vocals between them and did a nice job.
The great gig in the sky was utterly enhancing.
The crowd went wild after Eclipse
ended and an applause followed. Everyone bowed but Roger kept focusing
the attention on Nick who wouldn't have any of it, making quite an
amusing show.
The encores were spectacular, ending with power - Comfortably numb has never sounded nearly so good in my ears.
In whole the show was an
unforgettable experience. The indoor arena was in most respects a
blessing, not only because of the rain outside (Which after the concert
had turned into a sunny evening of red and yellow that flooded the
arena with light when the doors were opened), but also the sound of the
crowd and music were propagated well all around.
All in all a beautiful show that will stay at the top of my mind for years to come.
All pictures in the above review - thanks to Olafur Teitur Gudnason
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