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Parade Ground, Malta |
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Ticket scan - thanks to fordwebb |
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Banner at Sting concert, Malta |
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Concert ad & banner thanks to Charles Marsh |
Capacity: 13,000
Concert starts: 8:30pm (doors open at 6pm)
Address of venue: Luxol Car Park (ex-Parade Ground), Triq Sant Andrija, Pembroke, Malta. MAP
Website: NnGPromotions.com.
Tickets for this show went on sale through NnGPromotions.com.
The concert is the biggest so far on the island, both logistically and
by attendance. Before Roger arrived, Sting played there, and Roger used
the same stage construction as Sting.
SET LIST
FIRST HALF: In
The Flesh, Mother, Set The Controls For the Heart Of The Sun, Shine On
You Crazy Diamond, Have A Cigar, Wish You Were Here, Southampton Dock,
The Fletcher Memorial Home, Perfect Sense parts 1 and 2, Leaving
Beirut, Sheep.
SECOND HALF: Dark Side of the Moon. ENCORE: The Happiest Days Of Our Lives, Another Brick In The Wall (Pt 2), Vera, Bring the Boys back Home, Comfortably Numb. |
COMMENTS
With the very sad news of July
11th, our coverage of the concert performed on the island of Malta the
preceeding evening has naturally been overshadowed. Nevertheless, as
information about the show arrives, we will update this page.
The concert took place without
the threatened rain and thunder storm, a huge relief to the capacity
crowd. With a large LCD screen, as seen at Hyde Park, the visuals came
across loud and clear to the thrilled crowd, as did the sound, which
resonated throughout the surrounding Maltese streets.
Amongst the crowd, in the VIP
seating at the front, was the Prime Minister and his wife. "Mother
should we trust the government" brought a loud audience reaction, met
by reportedly nervous chuckles by the PM!
This was the first visit by a
real Floyd to an island which has a higher than normal concentration of
Floyd fans. The locals made sure Roger got a warm reception, and no
doubt they are hoping that he will be back there at some point in the
not too distant future.
SHOW REVIEW
By Brain Damage contributor, Dave Challoner
The Maltese and Gozitans love
Pink Floyd. From the scratch bands in market squares on hot Saturday
nights performing "wish you were here" and "mother" to the bar on Gozo
with the lovingly painted wall main cover on it's walls, the maltese
and gozitans have a very special fondness for the Floyd. No surprise
then that the Luxol parade ground at Pembroke on the island of Malta
was aboslutely packed.
The concert ground was a gently
sloping expanse of land near Pembroke Barracks, with any surrounding
area pressganged into serving as car park space. With no problems at
all we made our way from Gozo via ferry to Pembroke, and our golden
circle tickets ensured an extremely attractive Maltese policewoman
ushered us into the car park from the main road. It was a short stroll
from there into the ground where the vip area was being feted with free
baseball caps. After a quick tour of the merchandise stalls we took our
seats and waited for the show.
The stage preparations were being
completed as the projectors were aligned in the big rectangular screen.
The stage crew in roadie black, with some riggers in shorts and
sunburn. The security staff were highly visible in canary yellow
T-Shirts, and the seating promotions girls were in a very delightful
tight white cotton shirts and shorts. The audience filtered in and
encompassed the entire range of ages and sexes. There were die-hard
teenage girl fan's with wall, pulse lines, and prisms face painted on,
to grizzled old hippies in loose shirts and sandles. Everyone was
excited. Although Floyd/Waters T-Shirts were the predominent dresscode,
there were many expensively dressed people and a hude amount of jackie
onassis style shades. Oh and a single Peter Gabriel T-Shirt.
Supposedly with a 50% chance of rain, the sky was darkening and clear. The pre-show countdown was
clearly underway, as the sounds of Bob Dylan and Neil Young were interspersed with Quad sound effects
discretely swirling around our heads, and the back projection of a radio on the main screen.
Suddenly the crowd swirled to
their seats like a flock of roosting starlings, prompted by a few last
minute instrument tech checks. Then the band appeared on stage. Then
out strode Roger.
"Good evening"
"Are you ready?"
And into in the flesh with the
crowd going bananas. The band are amazing, and tighter and better
sounding than the In the flesh 2002 band, in my opinion. The song ends
and the crowd are on their feet. I'm struggling to make notes and
appluad at the same time. The guy next to me asks, "Are you a
reporter?" to which I reply "I am tonight.".
"Who are you writing for?", he asks.
"Brain Damage"
"I know them. On the internet. They very good!"
Ah 15 minutes of fame. Shame its someone else's.
As the crowd subside in their adoration, a smiling, confident Roger says "Thank you".
The next song was a poingant rendering of Mother during which an orange full moon rose to the right of
the stage. Tonight would be perfect.
"Now back into the mists of time"
Roger announces and we set the controls for the heart of the sun. There
are back projections of Syd, but we don't yet know of his passing. A
magnificent performance.
We edge into a shine on that has
all the profound shimmer we know and love. The crowd are singing along,
and the face painted girls in front of me are really getting into the
song. It's one of those nights where everyone is happy.
Then we move into one of my
highlights of the night - Have a Cigar. Roger has made some subtle
changes to this piece and by heaven it rocks and thunders along.
Absolutely stunning, and if there will be a DVD of the tour released,
then this alone would make it worth having. At the end, there's a
interesting freeze style cut into "Wish you were here" and the crowd
would put Anfield to shame.
The with Final Cut graphics being
projected, we go into my secong highlight of the evening "southampton
Dock", and "Fletcher memorial home". I love these songs, and roger
executes them with tenderness, feeling and echoes of the raw madness
and rage that run through the album cuts. There were a few cat calls to
spoil this section for me, but they came from the standing crowd mostly.
Onto Perfect Sense 1 and 2. There
was a significant sing along for these that I didn't expect. The face
painted girls knew evry line. I also didn't expect the helium filled
astronaut floating over the band during the 2001:a space oddessy
section.
Then into leaving Beirut. Nicely done. Bit full of teen angst, but heart felt stuff.
Then into sheep. Superb quad
sound all around, and the barbeque effects enough to remove your
eyebrows. A rocking outro and then the interval. Sheep has always been
on of my favorites, and tonight did not disappoint...
During the intermission, terminal
nicotine addicts refreshed the addiction they had fed during the show,
and the event became an opportunity for drinking Cisk the excellent
local brew. Stage hands removed the rectangular screen and a circular
mini Mr-Screen was flown. The Crossed hammer emblem was used to align
the projectors, and then an eerie moon was projected onto it.
The second half got underway with
the familiar pulse beating and we were off. DSOTM in it entirity. Whoa!
I'd heard David's Floyd play this at Earls Court, and will re-live that
with the forthcoming DVD, but for my money, this was a better take on
the old classic. The vocals were good (not quite David but then nothing
can be) but the music was spot on. Breathe was effortless, and on the
run was fabulous. Special mention of Graham Broad on drums/percussion
for belting out the relentless beats with more precision and finesse
than the black watch, while Jon Carin showed what modern keyboards can
do in the hands of a master musician.
The sync with the visuals was perfect, without any loss of feelings. Time always sounds good in a loud
surround sound, and this did not disappoint and the crowd were roaring along to this classic. Breathe
reprise appeared to flow imperceptibly into Great Gig in the Sky and with the real moon watching from on
high the superb trio of Katie Kissoon, PP Arnold, and the incomparable Carol Kenyon took us round the
heavens with a spine tingling rendition of GGitS.
With scarely a moment to draw
breath we were into Money. A sure fire boogie hit and the crowd went
wild. Excllent guitar work throughout the show turned into a blistering
shower of notes in the solos. The singers were shimmying up a storm and
roger prowled the stage as wild and raw as a hungery tiger. With us and
then the mood changed, mellowed for a while, until the sing along
roaring of the crowd lifted the song back into the stratosphere.
Then music happened. The version of any colour you like performed by this superb band topped all
expectations. This music could part the seas and rescue drowning sailors. Jon Carin excelled himself
and the visuals team hit it spot on with the projections. All too soon we were in to Brain Damage /
Eclipse. Both strong pieces and exceptionally well played on the night. The crowd went wild and screamed
along with the words. All too soon it was over.
Roger and the band seemed very pleased with the reception from the crowd. There was a brief respite
and then into the encores.
Another brick in the wall part II
was greated like a long lost son. Superb guitar work all round. And
then into Vera, Bring the boys back home, and comfortably numb. Now
I've never been into bring the boys back home, but it went down a storm
in this venue. And the version of comfortably numb was simply
magnificent.
And that was it! A smiling Roger lead the curtain calls looking hot but happy and legions of young fans
(and old ones too) walked happy, smiling and singing into the sunset.
SHOW REVIEW
By Herman Grech, Times Of Malta
He made grown men weep. He sent
thousands on a roll down memory lane with his impeccable rendition of
Pink Floyd's classics, and the special effects weren't bad either.
There seems to be broad consensus that Roger Waters will be a hard act
to follow.
The former Pink Floyd frontman
leaves today for Lucca, Italy, two days after playing one of the most
acclaimed rock concerts in Malta. Promoter Nigel Camilleri was ecstatic
about the feedback: "There was so much passion out there that if he
tours again next year we will try to bring him to Malta once more.
"I'm convinced those present at Luxol on Monday will return, and many more have now heard about the excellent show".
Roger Waters, 62, went on a trip
of Grand Harbour yesterday taking a break from his world tour, which
features the entire rendition of The Dark Side of the Moon.
However, he was still to learn
that fellow Pink Floyd founder Syd Barrett - who he pays tribute to
during Shine on You Crazy Diamond - was discovered dead yesterday, aged
60.
Right from the first note of In
The Flesh through to the haunting Comfortably Numb two and a half hours
later, Roger Waters took the audience on a mesmerising musical journey.
Kevin Drake has seen all the rock
giants play live - from the Rolling Stones to Santana to Van Morrison -
but he reckons Monday's concert was the best he's seen.
"He was in a class of his own,
and despite his notorious cantankerous attitude, he was so engaged.
With Sting it was about the music, with Waters it was an entire
experience," Mr Drake said. Nationalist MP Jeffrey Pullicino Orlando
agreed, saying Malta has never experienced anything of the sort.
What made the concert even more
magical was the audience's overwhelming response as thousands
religiously sang along to every song, Mr Pullicino Orlando said.
"I was so absorbed by the concert that I only left the venue two hours after Waters and his band bade farewell."
Labour MP Leo Brincat described
the band as world-class musicians, heaping praise especially on backing
singer PP Arnold, whose rendition of The Great Gig In The Sky was met
with huge applause.
"Maybe it had a political
overdose, but this concert certainly lived up to the hype - the
promoters are going to have a tough time bettering this," Mr Brincat
said.
SHOW REVIEW
From BD contributor, Jesmond V. Zerafa (Edited by Anthony Zarb Dimech)
OH WHAT AN EVENING! WHAT AN EXPERIENCE! A UNIQUE VOYAGE...
Every aspect of the organisation
of the concert went smooth, except for some tinyfeedback from an odd
speaker that added to the atmosphere. The punctuality and timing were
inch perfect. The concert took off as the day entered to a close and
the sky was adorned and illuminated witha clear moon that took over
from the sun. Itgave justenoughnatural powerto lighten up the sky
together withthe effective light effects created by the spectacle. All
these natural and technical effects put together purposely gave the
evening a spectacular dress that shone over the arena just like a
'crazy diamond'.
The first musical notes of In the
Flesh put everyoneon their feet, but in order to respect the persons
behind everyone sat down. The excitement created surely does not permit
that a concert of this nature can leave anyone seated for long.
As soon as 'Mother'was being
played, I did not realise what was happening around me,and I never
cried so much in my life as during the performance of this song. I
started to feel pity for my country and for myself. I came back to
myself when the Maltese Prime Minister, who was presentwas booed when
the verse: "Mother shall I trust the government" weresung by Waters.
One song after the other,taken
from most of Pink Floyd's and solo albums were played. What surprised
me most was that Waters played nothing from Pros and Cons of Hitch
Hiking, and I thought that he was going to play a small part of the
Opera CA IRA.
I had hardly noticed that one and
a half hours had already passed and the break had arrived... (20
minutes to the second). My bladderwas nearly ready to explodeafter
downing some pints of beer, it was quite obvious I suppose! I put
myself in the queue as I continued to listen to the Dark Side of the
Moon. Over my shouldersand high in the sky, I could see the bright side
of the full moon that was following the concert from up there.
During the song "Us and them,' I
went to empty again in the lou. It was eerie darkness inside, but such
was nature's strong call, little didI notice the place I had entered.
After Dark Side, came the obligatory encores, especially of Comfortably Numb. ...and then... it was over...
It was a grandiose spectacle,
marvellous, unforgettable. I could feel a happiness in my sadness with
a consoled and fresh mind. It took me some time to come back to my
usual self after hours in space. The feeling was that of being an
astronautcaught inspace between one kaleodkoiskic cell and another
surrounded by every type of space craft in the infinity of the universe.
It was around twelve midnight
when I pulled over my car. Due to the intense traffic, I had to divert
to other roads less frequented by traffic so as to avoid some
unexpected collision.
I walked a few metres down the
street, when, throughtheglass window of the lobby of a bar in a luxury
hotel, I spotted the brownish figure of P.P Arnold. I recognised her.
It quickly made sense that the Roger Waters' band was there and I asked
for him. I was told that he was present, and I did not notice him as I
was still under the effect of the concert.
Relaxing on a sofa after a two
and a half hour show, deserving of some privacy and rest, I saw
himconversing with two of his colleagues. It stillhad not clicked in my
mind that I was so close to him. I went closer to the glass pane and
took out my REG - The International Roger Waters Fan Club Membership
Card and using sign language, Iasked him to jotsomething on it. We both
smiled at each other and exchanged hand gestures.
No one, except residents could
enter the hotel. The lobby bar was reservedfor the members and crew of
the Roger Waters' band.The security personnel had made it clear that no
one could enter. Soon after, the security officer called the person
responsible for passing messages to Roger Waters. Messages were flowing
continuously to Waters at this stage. I was feelingvery embarrassed
having to pester a person who wasresting.
AfterRoger Waters attention was
drawn to my request, my REG membership card was taken and it seemed
like an interminable period until it was given back. Iwas already
beginning to think that I would never see it again. But then I saw that
there was movement going on inside and my membership card was returned
with Roger's autograph on it!
I quickly realised that in order
for Roger to autograph my card he required a permanent marker and not a
simple biro because the membership card is made of plastic. This was
the reason of the delay. I thanked him and made my way out leavingRoger
and his teamdiscussingwhat is considered to be one of the greatest and
prestigious concerts everheld in Malta.
Tuesday morning, 12 July 2006: I
woke up with a headache but not the piercing kind.My mind was quite
heavy, but tranquillity reigned over me. I began to put together the
previous evening's memories. It had felt almost spiritual, as if the
church's congregation had been filled up with a legion of Pink Floyd
fanatics lost in a delirium of the live atmosphere.
What a great midsummer's night!!.......How can I ever forget it!!!
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